There
is a whole area of BBC engineering that so far is not featured in memory
websites...the story of those of us in the Regional and sub regional
studios in the 60s and 70s. Although we were engineer trained we
were also tech ops and we had the job of not only keeping these little
studios running but also operating everything from studio cameras and
sound to telecine and film processing by way of Radio studios and OBs
and in some places responsible for house services including changing the
soap and toilet rolls in the toilets! In Southampton we were based
in what had been bedrooms of the old South Western Hotel. We at
first occupied the second floor but eventually spread up and down to
other floors. We shared the premises with several Civil service
departments ,and the Cunard Lines. |
The original unattended studio set up
with the legendary Sid Gore (my Mentor) at the controls
|
When
the BBC decided to develop area local TV news in the early 60s we were
appointed to turn the incredible beasts you see featured..the Marconi
broadcast vidicon cameras.... from locked off unattended operation into
fully movable production cameras. Their lighting requirements were
great and we had to learn focussing and tracking.....quiet lens swinging
among other things and with two cameras in one studio and the third in
another (radio) studio it made for exciting if not downright hairy
operating conditions. The very nature of a news operation meant
things were often done with minimal rehearsal although setting and
lighting were often possible in the late afternoon. The Marconi
cameras were self contained with a waveform monitor and 'racks' controls
built in to the camera body although these functions were remoted to
relieve the cameramen of that additional duty! The lower levels of
lighting for the locked off situation had to be greatly increased as
directors required not only presenters but also cameras to move about in
the albeit very confined space of what had been a hotel bedroom! |
Me with the Marconi vidicon camera no.1
|
The
Engineer in charge obtained a zoon lens..an Angineux fixed speed remote
controlled device that could be mounted on a camera, but needing the
removal of the turret so this had to be booked in advance!
Sound, racks, production gallery and telecine all shared one adjacent
room next door euphemistically called 'the gallery'…..there was no VT or
Telerecording available so everything was live.
On one occasion my camera caught fire and the newsreader was amazed
to see the fireblanket routine being carried out in front of him as he
read the news whilst the other camera was pushed into position in front
of him and the main presenter hurried across to the radio studio across
the corridor! On another occasion I was attacked by a raven which
had been brought in by a 'White Witch' for an interview on Hallo'een!
Swinging even small cameras from set to captions and back was quite an
art and coordination by the operators and the directors who did their
own mixing was paramount. |
The bookable zoom lens on camera 1 with presenter Martin Muncaster in
action.
|
We later moved to a larger studio downstairs and were equipped with
state of the art EMI vidicons, still with lens turrets but motorised
lens change...but although we now had three cameras in the same studio
we only had two cameramen available which offered a whole new set of
challenges and possibilities of disasters! A front projection
device was added to camera one, normally used for the presenters so the
cameraman had slide changing and background picture brightness to add to
the job.....often including 'hot', live slide changes!
|
Confrontation with an alien being (EiC Ken Nicholas lashed up a sound
modulator so that our newsreader John Baker could appear as the Dalek
voice!)
|
Among
our other activities we ran a small radio studio and a larger talks one
and an active Control Room. The radio work consisted of many news
operation including the VHF opt out of the Home Service, contributions
to all network programmes, editions of whole programmes ranging from
Woman's Hour, Nightride , the Daily story and on OBs church services and
ship launches at the nearby shipyard and regular cricket and football
OBs.
Nevertheless as Bernie Newnham has said elsewhere these were among
the happiest days I spent during my career and it was something I missed
when I moved on to Radio Production in Birmingham.
|
Me carrying out maintenance with S. Tel E Derek Leach adjusting the
lighting (yes we did that too!)
Return to List of
Reminiscences
|